‘The Midland’s Misplaced Momentous’ by Ivor Casey

WHILE the midlands has often become a side stepped region throughout Ireland, its history has included important developments in the name of The Quakers, who spear-headed production in Co. Offaly and Co. Westmeath. It was firstly in Moate, Co. Westmeath where the progression of this community began to flourish and see the earliest advancements in rural Ireland over three and a half centuries ago.

When George Fox founded ‘The Society Of Friends’ or ‘Quakers’ over 350 years ago, the Westmeath town of Moate soon became a centre-point for its followers. Fox had set up this new way of life in the wake of the Counter Reformation, having become disillusioned with religious life at the time. He felt churches had become swamped with traditions, rituals and power politics. The main objective of Quakerism was to take care of the poor and provide for widows and the fatherless. It was ensured that all members practised justice, equity and consolation. Quakers were tolerant in allowing people pursue, without criticism, whatever he or she was interested in.

Moate-Castle

Moate Castle, Moate, Co. Westmeath (Photo: Ivor Casey)

Moate was first introduced to this ‘Society Of Friends’ in 1658 by a Scottish soldier named William Edmundson, who had already made converts in Co. Antrim. Locals became intrigued by the Quaker lifestyle when Edmundson held a meeting in Ballykilroe and the first ‘meeting house’ was located at Toorphelim. Followers included John Clibborn who eventually had meetings transferred to his home, Moate Castle, which he came into possession of in 1656. It was the town of Moate where distant visitors, which included Americans, would come to, in search of information about Quakers in Ireland and nearby countries. From here, Quakerism extended to neighbouring counties such as Offaly. With the increasing numbers of friends, local, provincial and national meeting houses were erected in Ireland.

The Midlands Quakers were a most ambitious and productive people, establishing small industries and becoming heavily involved in farming and founded agricultural shows. Some of their factories included woollen and linen mills, brick and tile factories, a tannery and a felt making factory. They were also involved in banking, engineering and shipbuilding as well as producing jams, biscuits and tobacco and the famous Bewleys cafes. A major Quaker run factory was the Goodbody factory in Clara, Co. Offaly which was a flour mill and jute processor.

One particular resourceful Quaker was Dr. Edward Bewley (1806 – 1876), a Medical Doctor and Agriculturist who set up his practice in Moate in 1830. One area he was most keen on was the advancement of farming methods and he became a member of the Agricultural Society of Ireland. He set up a branch of this organisation in Moate which lead to the formation of ploughing matches, farming lectures, an agricultural college and an agricultural show. Dr. Bewley was elected President of the Royal Agricultural Society of Ireland in 1841. His benevolence could be seen during the famine as he was a founding member of the Moate Soup Kitchen. His son Sir Edmund Thomas Bewley (1837 – 1908) was born in Moate and later became a Professor of Law in Trinity College and a Supreme Court Judge.

The Quakers are still very much in existence, with meeting houses all around the country. However, other than one active meeting house in Edenderry in Co. Offaly at present and none in Co. Westmeath, the midlands have lost a symbol of their prosperity. Today, the diminutive remains of a Quaker meeting house can be seen in the grounds of Moate Castle. It was ordered to be demolished in 1921 by the Quaker’s ‘Dublin Meeting’, to avoid misuse when the number of Quakers reduced in the area and the house became empty. There is also the remains of a Quaker graveyard on the same property but this is also gradually disintegrating, despite the best attempts of the local Historical Society to preserve it.

With its worsening condition through vandalism and the more natural overgrowth of weeds, briers and nettles, an important attribute of the rural Ireland’s aspirations has been left aside. While some midlanders today can finally celebrate the progression of sending one of its sons to lead the country, failure has supervened in preserving the memory of a noble people. With Moate Castle having recently been put up for sale, with the Quaker graveyard on the property, there is further uncertainty as to the future of this essential landmark of the Quaker’s memory in Moate.

Nonetheless, it is the legacy of ‘The Quakers’ which historians continue to bring forward and with the special anniversary year that is now, it is important that tribute is paid to the symbols of ambition and prosperity which once made Moate, and the midlands, a thriving region.

– Ivor Casey

(Amended from article by Ivor Casey which first appeared in the Westmeath Independent and Ireland’s Own)

History of the Quakers by Ivor Casey - Westmeath Independent

‘Elvis is Dead, Long live the King’ by Ivor Casey

FOR me, aged 13 in 1997, discovering Elvis Presley was like being introduced to a whole new world: a world away from image victimisation and frivolous performers. It was the discovery that music once meant something and there was a time when singers with heart and soul were the most successful in the business. Being a modern day teenager in a society that’s intolerant of individualism made it tough to be a fan of a dead singer. While this did distance me from some, Presley’s rise educated me about having passion for what one truly believes in and his downfall made me aware of the emotionally strenuous aspects of life.

A chance encounter with the flood of TV tributes on the 20th anniversary of his death engrossed me like nothing had ever done before. His song Always On My Mind was a major hit in Ireland at the time and it was the song’s meaning that drew me to Presley. Through it, I was first introduced to the poignant story of Elvis’s later years. That song described a man regretting how he had ruined a relationship. It was recorded after Presley’s divorce in 1972 and subsequently his life began to spiral downhill until his untimely death in 1977. Singing songs of solitude and despondency to the end, he related his own pathos in the music.

While many are aware of how he contributed to his own decline, it is harder to comprehend why he couldn’t help himself. I wanted to understand why a man with such talent and success became so self destructive. Presley was the world’s first superstar and he had nobody to take guidance from. Others can now learn from Presley’s mistakes but he took the bashing as he made the first moves. Unfortunately, nobody can save their own life once they have lost faith in living. Being a compassionate and sensitive man, suffering from depression and having achieved everything one man can comprehend, Elvis really didn’t have too much more to reach for. And some of his goals and ambitions could not be achieved because of the mysterious control his manager had over him. There is the image of the “drug abuser” or, more truthfully, Presley’s biological addiction to prescription medicine: in today’s world, he would be seen as a victim rather than an abuser.

Presley was a massive phenomenon and it took me time to realise the unique abilities behind his superior singing voice. Emotionally void art snobs bemoaned the fact that he didn’t write songs, but I set out to discover something more important than the ability to write lyrics. I discovered that from the time Elvis made his first recording in the summer of 1953, he used natural empathy to bring out the meaning in a song. Elvis embodied the most important human characteristic: feeling. His method of interpreting a song was inspirational. That was the genius of Presley. As our own Irish legend Bono stated, “Elvis had the wisdom that makes wise men look foolish”.

Some people have the impertinence to compare this timeless icon to today’s fabricated pop stars. No pop stars will ever last over 50 years or equal his charisma, vocal range and the fact he founded a musical style that changed world cultures. Some claim he stole black music but I dare those to challenge the accurate belief of soul god James Brown, who explained, “Elvis wasn’t copying. He found his own style”.

Later, Elvis did lose touch with his roots but his raw energetic presence is still available to be heard. His is the story of a man who used fortitude to break down the barriers of racist and conservative societies. Once you look past all the unsavoury stereotypes, Elvis Presley was a regular man who was gifted enough to make a teenager from an entirely different generation realise the meaning of music and how it is an essential part of life.

– Ivor Casey

(Ammended from article by Ivor Casey first published in ‘The Sunday Independent’, 17 August, 2003)

‘Elvis and Virtually No Suspicious Minds’ by Ivor Casey

ELVIS Presley’s career has remained strong for almost 50 years, despite him being dead for over half this time. His long-lasting stance in the business is something no other singer has matched and that has been proven with ‘Elvis: The Concert’. Presley was an influence on major Irish musicians. His genealogy can be traced to Ireland. However, he never performed one concert here. In fact, he never performed outside the US, other than a few shows in Canada. That was up until Elvis’s estate came up with the next best thing.

The show has played four times in Ireland since 2000, and while the production format has not changed, the spectacular atmosphere remains. ‘The Concert’ reunites Presley’s original 1970s musicians, the TCB Band, to perform live to his recorded voice. Spectators are also able to gaze at several enormous screens with footage of Elvis from 1968 to 1973, singing each of the selected songs. The concept of it being a virtual reality show has generated much suspicion over its quality. Some cynics have laughed at the idea of the main star not being present and it certainly is the estate’s latest massive exploitation of its product, who once was a living, breathing and generous man. Despite the commercial aspects of Wednesday’s production, the most important area was the music.

The legacy of the show has been mis-interpreted by many people who have not seen it, suggesting that it is like going to the cinema. However, what is essential to point out is that Presley’s musicians are extraordinarily talented. While Elvis is the centre of attention, the performers could not be discredited. Other than the previously recorded vocals and footage, this show is every bit of a live concert. From the uplifting blues riff of James Burton on lead guitar to the heart pounding drum beat of Ronnie Tutt, songs of every genre are covered. Also performing are Jerry Scheff on bass guitar and Glen Hardin on piano, while ‘The Sweet Inspirations’ and ‘The Stamps’ add in their exquisite harmony.

The audience’s response was ecstatic, due to pulse-racing covers of Presley’s classic 1950s hits, but the highlights were the superb versions of Suspicious Minds and How Great Thou Art. Admirers get to experience how dramatic Elvis’s 1970s concerts were and he was again introduced to a new generation, as the audience age ranged from seven to 70. The 1970s in Presley’s life have become infamous for his excessive use of prescribed medication due to gruelling concert schedules and emotional problems, but at the start of this decade there was a phenomenal performer who stunned his audiences. He never failed to convey passion, heart and a deep down love for the music he performed, and that was highlighted in ‘Elvis: The Concert’.

– Ivor Casey.

Ivor Casey is currently writing a book on Elvis Presley and Ireland.
(Ammended from article which first appeared in The Sunday Independent, 1 June 2003)

Elvis and Ireland by Ivor Casey

Elvis and Ireland CoverElvis and Ireland is the “Irish Biography” of Elvis Presley. It is the detailed story of Elvis Presley’s life and career, combined with a timeline of events in Irish popular culture and the social changes brought on by his unique brand of rock ‘n’ roll.

What you will find here is just about everything to do with Elvis and his links with Ireland including anecdotes, entertaining trivia on Elvis’s connection with Ireland, his Irish chart successes, as well as areas of censorship. You will also learn about Irish songs he covered and Irish singers who covered his work. Find out what many Irish personalities have to say about Elvis, as well as what was said about the star from the Dáil to the pulpit.

Elvis and Ireland focuses on how Irish artists used Elvis and American popular culture for their own artistic efforts, from Ireland’s earliest showbands and beat-groups to the rock legends Rory Gallagher, Phil Lynott and Bono. It covers several decades of Irish popular music without ever losing track of Elvis’s story. In brief this book is a view of Elvis Presley through Irish eyes.

Elvis and Ireland brings together the story of the global superstar from his birth to his untimely death, picking up the Irish connections along the way. To add a further Irish dimension, the book also features artwork of Elvis by three famous Irish artists. All music fans, and not just the Irish ones, will find this an exhilarating journey through the career of the universal music icon.

“Hundreds of Elvis books already exist but rarely does a new Elvis book have something to say from a totally different cultural stand point”

Elvis and Ireland is authored by Ivor Casey who has worked as a freelance journalist throughout Ireland for the past 10 years. Ivor also has a BA(Hons) in English, Media and Cultural Studies. For other Elvis Presley related posts by Ivor Casey click here: Elvis is dead, Long Live The King and Elvis and virtually no Suspicious Minds

Order through your closest Amazon shop below:
Amazon UK
Amazon USA
Amazon France
Amazon Germany
Amazon Spain
Amazon Italy

  • Ivor Casey

Bono gives “Elvis and Ireland” the thumbs up!

Image

“Elvis and Ireland” author Ivor Casey and Bono

Irish rock star Bono and myself met recently at The Corner Note Café in Dalkey. When asked about his inclusion in the book, Bono, who has been reading his own personal copy, remarked that he was “delighted to be part of the whole thing”. The book is set to be launched by Barry Devlin of Celtic Rock group “Horslips” on 10 May 2013 at The Corner Note Café.

“Elvis and Ireland” explores the life of Elvis and his influence and connections with Ireland. It is a social and historical study, documenting the evolution of rock and pop culture in Ireland, while simultaneously covering the entire story of Elvis’s life, with some new fresh perspectives. Having been born over six years after Elvis died, my study of his life reflects a new generation of Elvis enthusiast.

Among the Irish influences and connections include Irish songs he sang and the listings of Irish singers who covered his work. It touches on his Irish genealogy and documents the Irish actors and singers he worked with and came in contact with throughout his life. It also details how Elvis and rock ‘n’ roll music was first received here by the establishment and how rock ‘n’ roll and popular music first formed in the country. There is also details about the movies of his which were censored and the Irish cinemas that first screened his films, as well as the Irish chart successes he had, among many many more interesting facts and trivia. “Elvis and Ireland” is available on Amazon, Barnes & Noble, Easons and other leading book stores.

Comments about Elvis and Ireland by some top journalists:

“Genuinely original” … “entrancingly idiosyncratic work” … “startling, surprising and not without significance” – Eamonn McCann (Hot Press; Vol:37 Issue:08 – May 8 2013)

“Casey has to be commended for a rare feat: an original book on The King” – Barry Egan (The Sunday Independent, March 31 2013)

For a further read about the book, check out The Sunday Independent article by Barry Egan, titled “The King and Us: How Elvis Shocked The Irish” at the following link: http://www.independent.ie/entertainment/books-arts/the-king-and-us-how-elvis-shocked-the-irish-29165281.html

  • Ivor Casey

Welcome

Ivor has been a freelance journalist and photographer since he was aged 19 in 2003 with work printed in national and regional publications including The Sunday Independent, The Irish Examiner, The Westmeath Independent, The Westmeath Examiner and Ireland’s Own covering literature, art, music and history. Ivor is also involved in PR for several artists working as a photographer and assisting on a range of articles for publications such as The Sunday World, USA Today, Social and Personal Magazine, VIP Magazine, Dun Laoghaire Gazette, Southside People, The Wicklow Times, The Athlone Advertiser, The Westmeath Independent and The Westmeath Examiner. He also has a BA(Hons) in English, Media and Cultural Studies. Since 2012 Ivor has managed his own publishing business, with his own work “Elvis and Ireland” released to critical acclaim in 2013 and the début poetry collection of Peter Donnelly, titled “Photons” launched in 2014 by playwright and poet, Professor Frank McGuinness.